Dubbing

Dubbing, Film and Performance: Uncanny Encounters

Dubbing, Film and Performance: Uncanny Encounters

By Charlotte Bosseaux Series: New Trends in Translation Studies - Volume 16 Year of Publication: 2015 Peter Lang, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2015. VIII, 242 pp., 3 tables ISBN 978-3-0343-0235-7 pb. (Softcover) Book synopsis Research on dubbing in audiovisual productions has been prolific in the past few decades, which has helped to expand our understanding of the history and impact of dubbing worldwide. Much of this work, however, has been concerned with the linguistic aspects of audiovisual productions, whereas studies emphasizing the importance of visual and acoustic dimensions are few and far between.
Rethinking the Art of Subtitles

Rethinking the Art of Subtitles

By Grant Rosenberg/Paris Tuesday, May 15, 2007 Early on in the 2004 supernatural Russian thriller Night Watch, the protagonist, trying to prevent a witch from casting a spell on his unborn child, yells at the top of his lungs in protest. For English-speaking audiences, the subtitles do more than just translate the literal meaning: the words "no" and "stop" with three exclamation points are shown on different parts of the screen in large, moving letters.